Facts and Figures
Every Music CDR since the AHRA was enacted has a hidden tax built into the price! (2% of the manufacturers sales) This is supposedly to pay the artists for home recording. Who Collects the Tax? The RIAA under the auspices of the AARC. Who shares office space with the RIAA and has many of the RIAA employees working for it. I haven’t been able to find one artist that was paid a cent of the money. 4% is set aside for non-featured artists, of the remainder 40% for the featured artist and 60% for the labels. To date I have not found one artist who has received one cent of this money. (Source: RIAA website)
In addition every CD recorder has a $2.00 surcharge built into the price that goes directly to the RIAA
The artists received not one cent of the money from the MP3.Com settlements of approx $158 Million to the labels. Who did??? The label themselves.
SoundExchange” the new digital rights collective for collecting royalties from internet play is a division of the RIAA. They did not distribute royalties in July 2001 as they were supposed to do, but instead decided to wait until next year.
85% of all music is released by 5 major labels (Sony, EMI, UMG, Time Warner, & BMG)
Federal Trade Commission (FTC Statement): “At any given point about 20% of the music every recorded is available legally.” The rest is locked away by the labels depriving the creators of a potential source of income, the fans of the music they want, while creating a false market for the band “d’jour.”
The RIAA on their website say the cost of CD’s haven’t risen as much as they could have read our take it.
Read the settlement statement of the FTC findings against the Big 5 concerning charges that all five companies illegally modified their existing cooperative advertising programs to induce retailers into charging consumers higher prices for CDs
See where the money really goes Steve Albini (producer of Nirvana’s “In Utero) Interesting comment from Fox Entertainment Group (FOX) Chief Executive Peter Chernin, who has about as much of a clue as Jack Valenti:
“Film makers can offer their audience a choice of ways to see movies — they can view them in the theater, rent them, or buy them. . .Music companies are much less flexible.. . .It’s hard to buy one song. You’re forced to buy the CD,” he said.
“I’d like to introduce the recording industry to something called bottled water,” said Jonathan Potter, executive director of Digital Media Association, in a recent interview commenting on Free vs Fee online music. His lobbying group represents music sites that are trying to promote and sell music over the Internet.
“It is not correct to assume that every time a copy is made, a sale is lost,” said Gary Shapiro, a spokesman for the Consumer Electronics Association. And, he also pointed out that many of the companies he represents, which make computers and other gadgets that enable people to copy music or download MP3s, have seen their sales fall much more sharply.